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The Long Christmas Dinner by Thornton Wilder
Katherine Read Katherine Read

The Long Christmas Dinner by Thornton Wilder

Few playwrights engage with the concept of the passing of time better than Thornton Wilder. Published in 1931, The Long Christmas Dinner is a moving play about time’s transitory nature. The story spans ninety years and shows how generations of one family evolve while staying the same over decades of Christmas dinners. The short but powerful drama is less than 30 pages in written form and less than an hour when performed. Wilder seems to remind readers that though the days can seem dull, the cumulation of life’s mundane moments is sacred and should be savored.

The story begins in 1875 and ends in 1975. There is one continuous stream of conversation between members of the Bayard family around the dining room table of their Midwest home. Throughout the play, new babies and spouses arrive at the Christmas dinner from stage left while those who die leave on stage right. The first, Mother Bayard, speaks about crossing the Mississippi River on a newly made raft and the presence of Indians on the land where their new house sits. By 1975, her great-grandchildren discussed how the surrounding factories emit too much soot.

Bayard family members sometimes aren’t aware that they are repeating the language and stories of past generations. It is not that the dialogue is that interesting; it is not. There are comments about the wine, the turkey, or the ice outside. And yet, it is not any one Christmas dinner that offers insightful dialogue or observations, but the cumulation of Christmas dinners is unforgettable. Time keeps passing; young people are born and old people die. Wilder seems to be saying - whether or not you realize it - time is going by quicker than you know so appreciate your lives. Though seeing the play performed is preferred, The Long Christmas Dinner, in whatever form, crescendos to a finale of transcendence. 4.5/5

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Hello Beautiful by Ann Napolitano
Katherine Read Katherine Read

Hello Beautiful by Ann Napolitano

Ann Napolitano’s warm, sad and tender novel Hello Beautiful is an absorbing exploration of family dynamics. The novel is thoughtful and perceptive. Napolitano beautifully depicts the complexity of family loyalty. Love can both support and constrain individual choices. Though the novel stands alone, echoes of Little Women add another dimension to this story of four sisters whose relationships change when the oldest sister falls in love. Napolitano’s focus on the interior lives of her characters gives this book its depth.

Willian Waters and Julia Padavano, the oldest of four sisters, met and fell in love when they were students at Northwestern University. William grew up on the East Coast, an isolated and lonely boy. His older sister died soon after his birth. His parent’s grief consumes them and they ignore William, a trauma he wrestles with later in the novel. William’s only joy is playing basketball. Upon arriving at Northwestern on an athletic scholarship, his life expands when he meets Julia’s family: her parents, Charlie and Rose, and her three sisters, Sylvie, Cecelia, and Emeline. William and Julia marry quickly, and William finally feels the love and camaraderie of a warm and supportive family.

Napolitano shows the complicated tension between loyalty to family versus loyalty to self. The four Padavano sisters love each other and are intertwined like strings in a rope. Yet William and Julia’s relationship sparks the unraveling of the family’s structure; a death in the family causes more pain. Reacting to their grief, each sister wants to pursue her dreams and desires, which conflict with the expectations of the others. The sisters love each other profoundly and make each other miserable. Relationships fray and conflicts emerge. Though I wish Napolitano had provided more dialogue so that readers could engage more fully with the changing dynamics, she succeeds in revealing the inner lives of the characters over decades. The novel deftly tackles issues of aging, alcoholism, betrayal and mental illness.

Napolitano understands that humans are not good or bad; they are complex. She has written a powerful novel about a family of individuals doing their best - based on who they are and what they have experienced. 4/5

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